I recently directed the remount of STAND by Jim Reyland starring Barry Scott and Chip Arnold. Directing a remount is always tricky business, and it took some effort to figure out how to marry a previous vision with a new experience. In the end, it came together well and I was really proud to work on a play about such an important topic: homelessness. I direct a lot of plays that I’d like to claim challenge my audiences, but at best these works come off as mostly entertainment and food for thought. This play, however, really calls for immediate action: to take a stand to end homelessness. It’s a powerful work and I’m grateful to have participated in it’s recreation! It showed for a week at the Tennessee Performing Arts Center for both public and school performances, and is now going on tour to San Jose, Los Angeles, Las Vegas, and a few other cities. Onward!
In April, I directed one of my long-time favorite plays, Dancing at Lughnasa by Brian Friel. This beautiful, haunting Irish play has been on my “Want to Direct” list for a while, and I was not disappointed. I had the most lovely cast and production team, we enjoyed wonderful feedback and reviews, and overall I am deeply artistically satisfied with the whole process. Enjoy these production photos and don’t forget about the review on my “Reviews” page. Photo credit Kristi Jones.
I have just completed my first year as Department Chair of Lipscomb University’s Department of Theatre, and it was been a wild and wonderful ride. This is an exciting time for arts at this university as the departments of Visual Art, Cinematic Arts, Music, Fashion & Design, and Theatre have formed a new college within the university: the College of Entertainment & the Arts. The mission: to be a Christ-centered, innovative, entrepreneurial arts community committed to rigorous artistic training, creative collaboration and professional growth. We are grateful for the university’s and community’s support in this new endeavor — it’s exciting and challenging all at the same time. I am really glad to be here.
Want to learn more about our department? Click HERE.
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In May, I had the distinct pleasure to direct a staged reading of Dean Poyner’s Together We Are Making a Poem in Honor of Life featuring Shannon Hoppe and Brent Maddox for Tennessee Repertory Theatre’s Ingram New Works Festival. This was an incredible experience and one for which I will be eternally grateful. The air is so electric at new play festivals; I literally got a contact high participating in the emerging playwrights’ works. Which was good, since the university semester was ending and I was exhausted. The New Works Lab this year featured playwrights Nate Eppler, Dean Poyner, Andrew Kramer, and Jeremy Sony. All of their plays blew me away, as did the readings’ actors, directors, and stage managers.
I also met this year’s New Works Fellow, Tony Award and Pulitzer Prize-winning playwright Doug Wright, whose most notable works include I Am My Own Wife, Quills, The Little Mermaid, and Grey Gardens. The festival presented a reading of his new play Posterity, which will in no doubt go on to receive many productions and accolades. He really is a genius. Past Fellowship recipients include Tony Award and Pulitzer Prize-winner David Auburn (The Columnist), Tony Award and Pulitzer Prize-winner John Patrick Shanley (Storefront Church), Steven Dietz (Rancho Mirage), and Theresa Rebeck (Fever).
I found Doug Wright to be extremely gracious and kind. He said super nice things to me and my cast about our reading — I acted cool but I exploded on the inside while he spoke to me. Here’s a photo from the after-party:
Overall, the experience was beautiful. I learned so much, as I always do working with giving artists. And Together We Are Making a Poem in Honor of Life really touched my heart in some new ways. Art is such a magical, mysterious thing.
POEM SYNOPSIS: Marked by a senseless tragedy, a couple tries to navigate the storm of grief that follows in the wake of their child’s death. Through a series of support group meetings for grieving parents, they struggle to comprehend and remember in an attempt to reconcile what they’ve lost. But as they confront their harsh new reality, they find it difficult to connect with each other in this new discordant world. A powerful and poetic exploration of what it means to live through unimaginable loss.
This past winter, I had the pleasure to direct one of the toughest plays I’ve ever worked on, George Bernard Shaw’s Man & Superman, for one of my favorite theatre companies in Nashville, Blackbird Theatre Company. We had a brilliant run, great reviews, and a heck of a challenge tackling a play that literally takes the characters to hell and back again. Here are some production photos. Be sure to check out the reviews under the ‘Reviews’ tab. Photo credit John Gentry.
This past October, I had the honor to direct a staged concert of Disney’s Tarzan for the National Association for Music Education Conference in Nashville, TN. About 2,000 audience members joined us for our singular performance at the Gaylord Opryland Hotel, and it was a huge success! We partnered with Disney Theatricals, Nashville Symphony Orchestra, local professionals, area high school dancers, and Broadway actress Eden Espinosa for the staged concert. Our goal was to inspire Choir, Orchestra, and Band teachers to use musicals as a means for showcasing their talent and building cross-disciplines. I placed the orchestra on stage to highlight the music and used costuming and simple staging to help tell the story. We also used graphic animation for parts of the musical made by a local company. It was magical. The students loved the performance and the conference organizers already want to know what we are doing next year!
Photo credit: Rick Malkin